I especially appreciated the set of hooks at the bend in the ankle, which allowed me to lock in my heels on long climbs. The excellent lacing system, which has been a signature feature of the Quest line dating back to the original, plays a big role in its performance on rough trails. In short, the Quest may be overkill on a casual, short-mileage weekend trip, but it was the ideal pairing for the technical terrain we were hiking in Patagonia. The semi-stiff structure does a great job holding your feet in place without feeling restrictive like a mountaineering boot, and time and again I was impressed with how easy it was to trust my footing when carrying a heavy load on loose, rocky ground. The collar sits higher over the ankle than a standard mid-height boot like the Merrell Moab 2 or Keen Targhee III, but it’s the solid support that sets it apart. One of the main reasons to upgrade to the Quest over a lightweight hiking boot or shoe is its stable feel. And importantly with this tread design, the lugs have not shown any signs of excessive wear. The Huemul Circuit is about as demanding and varied as it gets, and I can’t remember one misstep across rock-covered glaciers, up steep passes with hairy and loose descents, and numerous creek crossings (at least the ones shallow enough to keep my boots on). Having worn the older Quest 4D 2s extensively over the last few years, I didn’t have major complaints with the traction, but the 3s do seem to have a little more bite on steep sections, and especially on wet surfaces (likely due to the more pliable rubber). The old wave-like look and stiff rubber compound has been replaced with better spacing to avoid caking up in mud, along with a softer Contagrip rubber. Visually, the Salomon Quest 4D 3 and its predecessor are very similar when upright, but flip them over and you see that Salomon completely redesigned the outsole. But for demanding trails and those who want the support, the Quest is worth the additional ounces. If you’re in the market for a lighter and more flexible boot, we recommend the Salomon X Ultra 3 Mid GTX (1 lb. But I think the weight is well-spent with a tall ankle height, burly protection, and class-leading support and comfort. 6.4 oz.) both considerably undercut the Salomon. 7 oz.) and Scarpa Zodiac Plus GTX (2 lbs. For instance, competitors like the Lowa Renegade GTX Mid (2 lbs. And even within the sturdy backpacking-ready category, the Quest falls a little on the heavy side. It’s difficult to pinpoint the source of the improvement-the forefoot is a little more flexible than the old boot taking some of the sting out of each step, and the outsole’s rubber compound also has more “give”-but Salomon seems to have turned this old nitpick into a non-issue.Īt 2 pounds 13.8 ounces for a pair of men’s size 9s (just 0.6 ounces heavier than its listed weight), the Salomon Quest 4D 3 is almost exactly the same weight as the previous model (this bucks the trend in hiking footwear of always going lighter). But after a strenuous four-day trek in the 4D 3 in precisely that situation, I’m confident in saying the newer hiking boot does a better job isolating your feet from the ground. One of my few complaints with the old Quest 4D 2 was that the moderately thin construction underfoot would leave me with sore feet after long days on rocky trails when carrying a heavy pack. It’s stiff enough that I wouldn’t recommend taking it for a long trek straight out the box, but with only a few short hikes under my belt before starting the Huemul Circuit, it had loosened up enough to be fitting like a glove. The high collar and solid lacing system hold your foot and ankle snugly in place, but generous padding around the ankle and along the boot’s tongue make it very comfortable. When putting on the Salomon Quest 4D 3 GTX, it’s immediately apparent that this is a serious boot. To see how it stacks up to the competition, see our article on the best hiking boots. Below we break down our experiences with the Quest 4D 3 GTX. The Quest is solidly made, provides fantastic support and protection for challenging trails, and retains the aggressive stance and nimble feel of previous generations. We put the boot to the test while backpacking the rugged Huemul Circuit in Patagonia and found it to be the perfect tool for the job. Salomon’s Quest 4D boot has headlined their backpacking lineup for years, and it remains a solid all-around performer in today’s market.
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By analyzing its layers upon layers of rock with Opportunity's scientific payload, researchers hope to find clues about what the environment was like on the planet billions of years ago and how it has changed over time.īut first, said Squyres, the rover team needs to find a safe way into the crater - and a safe way out. Victoria Crater, at about a half-mile wide and 200 feet deep, offers an unprecedented look back into Martian history. The MRO just arrived on the scene for a five-year mission and is surveying the planet from 275 kilometers (171 miles) above its surface, giving the rover team a spectacular aerial perspective. 6), as NASA held a press conference to unveil the latest images, the world got to see even more of what he was talking about.Īt the Washington, D.C., briefing at NASA headquarters, the space agency's administrator Michael Griffin introduced Squyres, the principal investigator for the space agency's Mars Exploration Rover mission and Cornell's Goldwin Smith Professor of Planetary Science and Jim Bell, Cornell associate professor of astronomy and lead scientist for the rover's panoramic camera (pancam).Īnd Squyres and Bell introduced the breathtaking views.Īlso at the briefing were Doug McCuistion, director of NASA's Mars Exploration program, and Alfred McEwen, Arizona State University astronomer and principal investigator for the imaging instrument on the Mars Reconnaissance Orbiter (MRO). That was Cornell's Steve Squyres' question, posted in his blog last week after the Mars rover Opportunity rolled up to the edge of Victoria Crater on Sept. Let’s say you’re recruiting for a software engineer who has experience with both java and Python. We’ll dive into some of the deeper elements of successful Boolean searches in a moment, but to really get the most out of your searches, you need to start with the basics.Īs Glen Cathey from Boolean Black Belt puts it, mastering Boolean basics “enables adept sourcers to perform feats of talent identification and acquisition most would think impossible.” That’s why having a deep knowledge of these six operators is so important-they help you “wow” hiring managers in the best way possible. To get things started, let’s first look at some Boolean basics: The six Boolean operators every recruiter needs to know Which is why we’ve put together this guide for recruiters on how to use Boolean operators the right way and leverage them to build smart, efficient Boolean searches. That means more targeted outreaches to the right people and a faster time-to-fill (something bound to make your hiring manager feel like this):īut, while using Boolean operators may seem simple in theory, the truth is that building complex search strings takes some practice-and a little help. Why? Because a good Boolean search helps you cut through thousands of profiles to quickly find the best candidates for your open job. Whether you’re a seasoned talent acquisition veteran or entirely new to recruiting, I’m sure you’ll agree with me on this: Understanding how Boolean searches work is an important step in developing a best-in-class sourcing strategy and becoming a true talent advisor. The Definitive Guide to Boolean Searches for Recruiters We put people first-in our technology, our customer interactions, and our employee experience. We lead with heart, seeking empathy and compassion in everything we do. Organizations can thrive in uncertainty by being nimble and proactively training talent to tackle critical priorities instead of reacting with layoffs. Resources Resources Resources Hub Blog Release Notes Customers Partners Events & Webinars Help Center ROI Calculator Keep Your Best Talent: 7 Strategies to Drive Internal Mobility.Solutions Solutions Talent Acquisition Build diverse pipelines Source hard-to-find talent Review & rediscover applicants Talent Management Redeploy top talent Upskill & reskill Promote internal mobility Talent Intelligence Discover talent insights Plan your future workforce Industries Aerospace & Defense Healthcare.Find the right candidates for your open roles.ĭevelop your team and improve your company culture. While our experts recommend leaving color removal to the professionals, especially if you’re looking to avoid unpredictable results, there are a number of at-home products that can help ease the process along. Meet our experts: Mark DeBolt, a celebrity colorist and co-founder of Mark Ryan Salon in New York City, Rita Hazan, celebrity colorist and owner of Rita Hazan Salon in New York City “Post-pandemic, we had many requests to remove colors that had become too dark from at-home coloring.” Clients also might seek color removal when highlights have been toned too cool or too dark, leading to a grey or greenish tint. “The biggest request to remove color is when results are too dark or off-tone,” explains Mark DeBolt, a celebrity colorist and co-founder of Mark Ryan Salon in New York City. But whether it’s an at-home dye job gone wrong or you’re just not in love with your latest salon highlights, hair color blunders can be fixed-and you don’t even have to grow your hair out or wait months for the dye to fade. Leave color on new growth area for 25 minutes.No matter how extensively you research store-bought hair dye or how thoroughly you explain to your stylist that you want 2001-era Jennifer Aniston highlights and not 2003, sometimes, your hair color simply doesn’t turn out how you expected it to. Get the best deals on ION Purple Hair Color Creams for your home salon or home spa. It is a deposit only color, free of harsh chemicals, ammonia, and. Apply mixture onto new growth area only, working from the front to the back of your head. XMONDO Color is closest to a semi permanent color, combined with a healing hair treatment. Make 1/4” partings throughout dry, unwashed hair If you color your hair every 4-6 weeks with a shade of similar tone and level follow these steps: When processing time is complete, add a small amount of warm water to hair and work into lather Process according to manufacturer’s directions. Work gently through hair as you would a shampoo. Apply hair color mixture to dry, unwashed hair If you have never colored your hair and you want to change your current hair color or you have not colored in 3 months or longer follow these steps: So, once you’ve got the color you want in hand, you are ready to get started on your way to your new do. Hey Friends, its time for another Hair Dye DIY This time we will be using the Ion Permanent Brights Purple hair dye. They have a line of bold, fun colors that look like they’ve been plucked from the rainbow. Leave on hair for 2545 minutes (as directed) and wash out. With Ion semi-permanent hair color, purple or orange are also an option. Thus, in the case of the chromate ion, we see yellow, and across from yellow is the purple-ish region. Let the toner sit for about five minutes while it turns a purple color, then apply to your hair generously. Always read the product packaging and inserts for complete directions, instructions, and warnings, and make sure to perform both the strand test and the patch test before applying your color. Mix the toner with creme developer following the directions on the box. Bowl and brush application is recommended. Two ounces of color to two ounces of 10 Volume ion Sensitive Scalp Creme Developer. Use on pre-lightened or highlighted hair Vegan Apply on pre-lightened or highlighted hair, 1:1 mixing ratio. 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Permanent brights provide bold, contemporary color that lasts. Shop Ion Permanent Brights Creme Hair Color Purple Purple online at a best price in Canada. Yield to pedestrians and vehicles still in the intersection. Go - but only if the intersection is clear. Left turns on red from a one-way street into a one-way street are also allowed. Some intersections display a " NO TURN ON RED" sign, which you must obey. After stopping, you may turn right on red at most intersections if the way is clear. If traffic signals are out of order, stop as you would for a four-way stop sign.Ĭome to a complete stop at the marked stop line or before moving into the crosswalk or intersection. Some signals change only when a car is at the stop line. Stop on the stop line if your car is nearest the signal. Drivers, pedestrians, and bicycle riders must obey these signals except when an officer is directing traffic. Traffic signals are placed at intersections to keep traffic moving and avoid accidents. Color coordinating and their shapes makes them easier to identify and remember what they are are telling the driver.Chapter 4 Chapter 4: Signals, Signs and Pavement Markings Traffic Control Signals The traffic sign colors and what they mean are there to help ease the driver into what they are seeing. The importance of a pink road sign is to prepare yourself for almost anything. Signs that are pink indicate that there is an unplanned incident scene ahead and are often included with flares on the road if necessary. National monuments and hiking trails are included in these colored signs. Brownīrown road signs show a driver areas of public recreation also included are of cultural and historical significance. Included are playgrounds and school bus stop ahead. Signs that have a green fluorescence have an extreme emphasis of school, bicycle or pedestrian crossing. They can signify where there are rest services, a call box (California), food, fuel and hospital. Blueīlue road signs are motorists service guidance signs that tell the driver about services along the road. A rail road crossing sign is another example of a yellow warning sign. The importance of understanding these drastic differences in warnings can show a driver warnings on the road. Included in these warnings are two way traffic, cattle ahead, pedestrians and merging. Yellow signs are Warning Signs of possible danger ahead generally shaped like a diamond. Also, green signs on the highway can tell the driver how far away the next city so they can prepare for how they plan to proceed. Green signs on the freeway tell the driver what the next three exits are. These signs help the driver get to the destination where they need to go. GreenĪ green sign is there to tell you where you need to be to get where you are going. Yet a speed change is recommended to keep the driver and workers safe. However, speeds are not required to change unless a sign mentions that there is a speed change. These signs are vivid orange color with black symbols or black text. Also, to remain cautious and drive slow as needed or denoted to pass through. OrangeĪn orange road sign alerts the driver that there is construction or potential danger ahead. Although in Phoenix if a sign does not tell you “No U Turn” you can legally make a U Turn as long as safe without issue. They can also tell a driver whether they can make a U Turn in from their lane. Most white road signs denote a speed limits, turn lanes, One Way Roads. These signs almost always mean that you will be making a complete stop in some fashion. These include Stop Signs, Wrong Way, Yield and Do Not Enter signs. So once I got everything talking to each other, Pro Tools wanted me to update the HDX firmware. Then you have to make the M1 play nice and update Pro Tools and the Avid HD Driver. The card swap was easy, once I had the right power cable adapter (Sonnet Cable for Avid HDX) I just completed a few tests with the updated Pro Tools (2022.12) and HDX card connected via Thunderbolt to a Macbook Pro with Apple M1 Pro, 16 GB Ram, and Running Monterey 12.3. Without paying huge amounts solely for a modern mac that has slots. This way, it’s possible to do the final tweaks to maximize the mix and make subtle changes unique to that exact location. Now my mixer friend can easily go onsite to her client (a museum) and test the mix using a 13″ Macbook Pro, Protools, and the Avid HDX card in an Akitio Node Titan. It’s easy enough to grab and go – keeping in mind that you have to still plug it in. Solution: If you’re a ProTools user on the Mac, an Akitio Node Titan plus Avid’s HDX card can maximize mixing in Protools regardless if you’re on a Macbook Pro, MacMini, Mac Studio, or even, yes, the MacPro.įun bonus: the Titan has a handle on the top. Every Mac since 2016/17 has had Thunderbolt 3. I can’t believe that I can’t install more RAM or change the SSD on desktop systems like the MacMini and MacStudio.Īt least Thunderbolt gives a path for some expansion. Typically, Apple ranks towards the bottom for expandability and repairs for this reason. My biggest frustration? Apple’s driving force to make things smaller has made systems less expandable and repairable. Apple has, in many ways, leapfrogged their prior CPUs and GPUs, which have been dependent on third-party hardware from Intel and AMD. (Don’t get me started on some of the confusion on Windows systems.)Īpple has almost entirely switched to M1 systems on a chip. Their Thunderbolt implementation has always been top of the line. Apple has always been progressive about their ports-they build their systems well, especially in this regard. USB-C (which is also excellent), cannot do this. Thunderbolt can communicate directly with the CPU. The problem: “ What do you do when you need to add a hardware card to Apple computers that aren’t a Mac Pro?” Thunderbolt to the rescueīut the $5,000 elephant in the room is the Mac Pro. There are other excellent tools on the market. I’m not going to debate whether or not you should use Protools. Next time you’re at a theater, pick a film showing in Atmos. If you’re familiar with 5.1 or 7.1, Atmos goes further by including vertical positioning of sound – meaning sounds are in three dimensions. ProTools has been on the forward edge of Atmos implementation. Especially over the last several years, where Dolby’s Atmos immersive surround sound technology has pushed the envelope. But if you’re finishing a show for Netflix, a series for Apple TV, or mixing audio for a theater – ProTools is the weapon of choice. It’s used to mix music, podcasts, and more. If you’re not aware, ProTools is standard in professional audio post-production. Including the 13″ Macbook Pro (more on that in a second.) Even though the Node Titan is technically built for externally connecting GPU cards, this enclosure, it’s 650W power supply, and Thunderbolt 3 connection can support the Avid HDX as well. Solution: This upgrade struggle is solved with the Node Titan, a $330 (approximate price) box that connects to every currently shipping Mac. Well configured, the current Mac Pro is easily a $7,000 system. The only Macintosh that you can add cards to is the $5,000 Mac Pro. Why are they afraid? They need a system with a slot for a Dedicated Signal Processing (DSP) card from Avid. They’re afraid to upgrade…even though they desperately- desperately-need to upgrade. They’ve been using a Mac Pro system since 2013. Systems, storage-tens of thousands of dollars. I recently talked to a friend who owns an audio mixing house heavily invested in macOS. Cards like this are necessary for higher-end workflows to produce enough audio channels with nearly zero latency. The reason for this article? Avid ProTools and, specifically, their Avid HDX Card (street pricing ~$4k). I specialize in Edit and Color, along with consultation and education. You can get a Thunderbolt breakout box, like the Akitio Node Titan eGPU, and connect it to the Mac you already have. TL DR For most uses, you don’t need to buy a Mac Pro or throw out a specialized card. How do you install a hardware card into a Macintosh where the only choice is a $5k system? Apple’s tools have been the bedrock of creative production for over two decades – graphics, video editing, and audio mixing. And that's what Joni was the only witness to." I say: 'That's really a great song – do me a favour and play it one more time', and the third time I added my high harmony and the world f**king changed from that moment. I say: 'It's a great song – play it again.' They play it again. At one point David goes: 'Hey, Stephen, play Willy that song we were just doing', and they were doing a song called You Don't Have to Cry. "I wasn't happy about that, but it was David and Stephen. He had gone out to stay with Mitchell, parked his car in the driveway, and heard two male voices in the house. He first played music with them in 1968 at his then girlfriend Joni Mitchell's home in Laurel Canyon, Los Angeles. And because of that everything is completely deeply meaningful.”ĭrugs taught him to embrace his contradictions, and prepared him to work with Stills and Crosby. I understood when I took acid that everything is meaningless. I took less than a dozen trips in my life but I realised with the first one that here we are, this ball of mud whizzing at 67,000 miles an hour through space, on one of trillions of planets. "I get up every morning and I'm glad I'm alive."ĭid acid also have a positive impact? “It did. It changed my life completely," he says in that unlikely Salford-Californian hybrid accent (imagine Mark E Smith as an LA lifestyle guru). "I'm glad that I got to know marijuana when I did. He was no longer satisfied writing bubble-gum pop about fancying girls he had bigger issues to explore – war, justice, idealism and grownup relationships.Įven today, he says, much of his joy comes from the way dope enables him to focus on the world's beauty rather than its horror. While they were still drinking eight pints a night of bitter, he’d had his mind expanded by cannabis. In his book he called the band “provincial”. It caused a huge fallout with Clarke, though they made up long ago and Nash is currently helping him with a solo album. “No, I’m English,” he says.īy the late 1960s Nash felt he had outgrown the Hollies and told them he was leaving. Are they natural? He smiles, giving me an even better view. And that’s terrifying because we’ve all done incredibly stupid things.” And once it’s on the net it will never leave the net. Not surprisingly, his marriage to Rose Eccles (whose surname inspired the hit Jennifer Eccles) was over by his mid-20s.ĭoes he think today’s pop stars could get away with what they did? “I don’t think they can get away with it now because of social media. "We'd get laid a lot, of course, mainly girls that you picked up at the shows … once you were found it usually led to sex," he writes in his memoir. The early days of the Hollies, in particular, sound like one long shagathon. I was like: ‘Oh, I see!’ Once I could play three chords on the guitar, my attractiveness to the ladies went up sky-high.” Ladies and his attractiveness to them loom large in Nash’s life story. When did he realise he could make a career out of music? “The first time Allan and I with our two acoustic guitars attracted really pretty women. They were soon undone by rivalry, egos, excess and drugs 'We were in heaven.' But it didn't last long. They had hit after hit in the 1960s, with catchy songs such as Carrie-Anne, On a Carousel and Bus Stop. He formed the Hollies with his best friend from primary school, Allan Clarke. At 14 he became the man of the family when his father was imprisoned for receiving a stolen camera (a present for Graham) and refusing to grass on the relative who had sold it to him. It's a far cry from the Salford of his working-class childhood, living in a two-up, two-down terrace, outdoor toilets, no hot water. He's video-calling from New York, where he now lives after decades on the west coast and Hawaii. Everything is going really well." But, as I discover later, it's more complex than that. "I'm singing excellently, the music is great, and I'm selling lots of merch. And then there's his 2019 marriage to artist Amy Grantham, 37 years his junior. His recent activities include touring, publishing a book of photography, recording a live version of his first two solo albums, and running his lucrative fine art printing studio, Nash Editions. Nash has rocked his way twice into the Rock & Roll Hall of Fame – as a member of the pop group the Hollies and as part of the groundbreaking folk-rock super-group Crosby, Stills and Nash. "80 years old and still rocking." And some. "I feel good," a ludicrously youthful Graham Nash tells me. Outtakes of stunts performed in the film are shown throughout the entirety of the credits. Woodstock types the credits on Snoopy's typewriter. The apparently dead body of Barnabas Collins transforms into a bat and flies away. Still images of bodies being piled are shown throughout the credits, followed by a shot of a bonfire. Queen rejoins her gang waiting for her outside the town's jail and they all ride out of town for places unknown. Matt Helm lounges on a bed with several scantily-clad women while overlain text reads: "Coming up next: Matt Helm meets Lovey Kravezit in Murderers' Row." Such scenes often include comedic gags, plot revelations, outtakes, and/or hints about sequels. Many films since the 1980s and earlier have featured mid- and post-credits scenes, also known as credit cookies. ( Learn how and when to remove this template message) ( July 2019) ( Learn how and when to remove this template message) Statements consisting only of original research should be removed. Please improve it by verifying the claims made and adding inline citations. This article possibly contains original research. See System Requirements for additional information. Some features may require registration and a valid ID number to activate. Product features may be added, changed or removed during the subscription term. 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When you create an online account, your personal data is added to a company's database and can remain there even after you delete the account. Why is closing my online accounts important? This trade makes sense on a whole host of levels. Make a long-term deal part of a sign-and-trade and make him a $500M man before he becomes a free agent in 2023, and like Boston, with Bogaerts the Angels maybe get little in return if he leaves. The team to move him to is the Los Angeles Angels for Shohei Ohtani if in the unlikely event he becomes available. Yet, if he can’t be signed now, the best move for Boston Red Sox is to trade him. Devers is an All-Star, and a young terrific player. That would be the Rafael Devers situation. He shined in a cameo with the Sox in the 2021 playoff season.Ī second part of the strategy, if that’s what it is, may also be subject to question or criticism. Yet, if Story can’t play short, re-signing free agent Jose Iglesias to play short would be an excellent move. Paying big money for a second baseman isn’t cost-effective. Assuming his arm is right, he slots immediately in at shortstop. First, the Sox signed shortstop Trevor Story to a long-term contract last season. Boston Red Sox should concentrate their resources on the very bestīogaerts is a good player but letting him go if part of a broader policy could be positive. Not signing Bogaerts may play right into that thinking. The Boston Red Sox and their ownership’s flawed “sustainability” model under Chief Baseball Officer Chaim Bloom is a failure at this point. But if you want to be a big-time player in any major team sport, you have to pay the piper. Yet, conversely, for those two superstars (and for a guy like a certain Mookie Betts), they are just the cost of doing business as a big-time club. Most long-term mega million-dollar deals will flop. First, most long-term deals are lousy deals, unless the player is named Aaron Judge, or Shohei Ohtani (more on him later). It’s not necessarily a bad thing that Bogaerts has left. While much of Red Sox Nation might be up in arms, that’s not the case here. Long-time Boston Red Sox shortstop Xander Bogaerts is off to San Diego having signed an 11-year deal for $280M with the Padres. |
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